Appstack
The project that kick-started my career. What started as a one-off freelance gig turned into months embedded with the team in Paris — paid-social at volume, a homepage hero, a fundraise film for the seed round, and creative strategy alongside the founders.
Appstack came in as a single project — a paid social brief I took on independently. The work clicked. The founder saw something in how I approached the creative and reached back out a few weeks later with a different question: would I come to Paris and run motion for the company in person.
I said yes. Within weeks I was in Paris, embedded with the team, shooting on location and operating as the in-house motion partner. What was supposed to be a short stint stretched into months of full-time work — building the brand's visual language, directing shoots, and acting as creative strategist alongside the founder.
Appstack is a fast-shipping startup where paid social drives growth. The problem most teams hit at that stage: creative volume kills creative consistency. Every week you need fresh hooks, fresh angles, fresh ads — and every week the brand drifts a little further from itself. Once I was operating inside the team, the brief evolved from "make ads" to "build the system that lets us make ads forever without losing what makes us recognizable."
We separated hooks from shells: openers could swap while typography, safe zones, and end cards stayed locked. Designers could drop in new copy and export the same day, while motion stayed coherent across formats.
Three things came out of those months.
A modular paid-social system — swappable hook structures, reusable transitions, a library of motion primitives that could be remixed weekly without starting from zero. New ads inherited brand consistency by default. The team could ship volume without the brand drifting.
Live shoots and on-location production — flown out to Paris to direct and shoot in person. Working face-to-face with the founder changed the work entirely — decisions that would take a week in Slack happened in 20 minutes on set. The footage we captured became the raw material for months of motion work.
Creative strategy alongside the founder — the role wasn't just execution. It was sitting in the room when positioning decisions got made, advising on which angles to test, which hooks to kill, which brand moves to commit to. Motion partner on paper, strategic partner in practice.
Appstack is building attribution for a privacy-first mobile internet — the moment Apple's App Tracking Transparency and SKAdNetwork broke deterministic tracking, legacy measurement platforms started failing the teams who still had to spend. CEO Lucas Moscon came up through app building; CTO Tom Darmon joined after Entrepreneur First in Paris. Together they raised a seed round backed by Blockchain Founders Capital and industry insiders who understood the category shift immediately.
When it was time to tell that story to capital, the brief wasn't performance hooks — it was credibility in one pass. Investors skim decks; they remember film. We built a fundraise piece that names the attribution gap in plain language, shows what Appstack actually does (SDK-free, probabilistic, built for post-ATT measurement), and makes the founders feel like operators who already see around the corner — not founders reading slides.
The cut shipped with the raise: founder-forward framing, product-real footage, pacing calm enough for a partner to forward without context. Same visual discipline as the paid-social system — no trend-chasing motion, no AI filler. Motion as due diligence: the film you send when someone asks, "What are you building, and why now?"
The homepage is where cold traffic decides if Appstack feels like infrastructure or another analytics logo. The hero had to do in ten seconds what the fundraise film does in ninety: make privacy-first attribution feel inevitable, not technical debt.
We built a looping hero for app-stack.tech that carries the same visual language as the paid-social system — product-forward motion, calm pacing, no stock UI gloss. The idea was a single read: spend flows in, outcomes surface, confidence scores do the explaining. Motion as the first product demo, before anyone scrolls.
It lives above the fold as the brand's handshake — the piece investors, agencies, and founders all see first, whether they came from an ad, a forward, or a Google search.
Appstack was the project that proved Venera Studio was possible before Venera existed. Working that closely with a founder, building a system that compounded, getting flown out for the work — it set the template for how I want to operate now. Direct lines to founders, embedded collaboration, work that gets better the longer the relationship runs.
It holds a special place. The studio I'm building now is built on what that work taught me.
Nine beats from the build — placeholders for Paris shoot stills, on-location production, the template system, hook variants, founder collaboration moments, motion primitives, Figma library exploration, ad cutdowns, and system documentation.









